5 comments Sunday, February 15, 2009

Ron and Nancy went to bed at their usual time. Ron grabbed his book. But Nancy, apparently, wanted to talk.

- Honey...
- Mmmm?
- You know what day it is?
- Thursday.
- Of the month.
- Oh... eighteenth.
- And?
- And, what?
- Think about it. It's an anniversary.

My God, thought Ron. I forgot our wedding anniversary again, like last month. But if it had been last month, it couldn't be now. It also wasn't her birthday, was it?

- What anniversary? - he asked.
- Of something that happened years ago...
- Many years?
- Before we got married.
- I can't remember.
- On the couch in my house.
- On the couch?
- Now you remember?

Could it be? Nancy was now on to this. He forced a smile, made an indiscernible sound and opened his book. But she insisted.

- Honey...
- Mmmm?
- Let's celebrate?
- Let's - sighed Ron, placing the book on the side table.

He turned to his wife. They kissed. The Ron picked up the book again. Nancy objected:

- That's it?
- That's it, what?
- Just a kiss, Ron?
- If I remember correctly, that night it was just a kiss.
- Yes, but...
- I insisted, but you didn't want to.
- But Ron!
- Didn't I insist? Didn't I ask for more than just a kiss? And what did you say?
- I said "no".
- Your exact words. "No".
- But then I relented, Ron.
- Two months later. Two and a half!
- Oh, Ron...
- No.
- So let's celebrate what happened those two months later.
- I am very strict about anniversaries. It has to be the right day!

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The doorbell rings and the man goes to open the door, before which he does a little jig. At the door is a woman. In this case "woman" is a euphemism, she is more than a woman. If God were to present his best work for a contest, He would send her. I have to remember that for later, he thinks.

- Hi - she says.
- Hi. Come in.

She walks in and looks around.

- Am I the first?
- No. Since I was fifteen I have... Oh, you mean the first one here. Yes.
- It's pretty, your apartment.
- Now that you're here it is.
- What?
- Pretty?
- Mmmm.

This dialogue, he thought. What dialogue! This showed promise.

- Let me take your coat and purse...

She hands them over. He stands next to her. She says:

- I'm not taking anything else off...
-Oh. Right, right.

He puts the coat and purse away. She examines the living room. On the coffee table there is a bucket of champagne on ice along with two long glasses. The man returns. The woman says:

- Didn't you say there was a party?
- Wherever you are, there is.
- But you said there would be guests.
- Yes.
- I only see two glasses.
- Yes.
- And what about the others?
- What others?
- The other guests.
- Mmm. Ah. Yes, well, if they arrive, I'll...
- "If"? You mean they may not come?
- They may have forgotten.
- They may have forgotten to come to the party?
- I may have forgotten to invite them.
- I get it. The "party" is just the two of us.
- I prefer small groups, don't you?

The timing. The insistence. And nobody's recording this! The woman smiles and spins in the middle of the room. Her white dress twirls around her. What legs, what a night! He pours champagne. She speaks.

- I'm warning you...
- What?
- Tonight I'm Cinderella.
- Cinderella? Why?
- Up until midnight I will act like a lady...

He raises his eyebrows and asks:

- And at midnight?

She pushes him away with her hand.

- At midnight I run away.
- There's no reason to worry. If you're Cinderella, I'll be your servant, your driver, your slave.
- Then pour me more champagne, servant.

He pours, thinking: "I hope she says the bubbles in the champagne tickle her nose..."

- The bubbles in the champagne tickle my nose...
- I do that too, and I'm not champagne.
- What?
- Tickle your nose.
- I don't get it.
- Forget it, nevermind.

You can't win 'em all, he thinks.

- Don't you want to see my library?
- Sure.
- Come here. Bring your glass.
- But wait... That's your bedroom.
- My library is in the bedroom. Those two books next to the bed.
- Then bring it out here.
- The bed?
- The books.

He puts his arm around her waist. They spin and fall on the couch. He grabs the bottle of champagne and pours just a little more.

- I think you're trying to get me drunk...

He says this.

- If you already opened the champagne, what are we going to open at midnight? - she asks.
- Maybe a zipper or two.

I have to remember that one to tell the guys later, he thinks. From somewhere in the apartment we hear Frank Sinatra.

- It's midnight.
- How do you know?
- My cuckoo.
- I thought it was Sinatra...
- Doesn't it sound just like him? He even wears the same kind of hat.

She tries to get up off the couch.

- Time to go...
- You're not going anywhere, Cinderella.
- But didn't you say you were my servant?
- I did.
- Well, I am ordering you to take me home.
- No.
- Why not?
- Because it's midnight and I turned into a rat! Happy New Year.

Half an hour later she is naked, under the sheets, and he sits at a desk in the bedroom, writing.

- Aren't you coming? - she asks.
- Just one second. I am taking some notes so I don't forget later. When you said the champagne tickled your nose, what did I say again?

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John was tired when he got home and said to his wife, Mary, that he wanted to take a bath, have dinner, and go straight to bed. Mary reminded John that that evening they had plans to have dinner with Peter and Louise. John slapped his forehead, cursed and declared that he would not, under any circumstances, go have dinner at anyone's house. Mary said that the dinner had been scheduled a week before and it would be rude not to go. John restated his intention to stay home. Mary was burdened with the task of calling Louise and giving an excuse. They could reschedule for the next night.

Mary called Louise and said that John had come home not looking very well, feverish even, and that she thought it best he stay home and rest for the night. Louise told Mary it was a shame, for they had prepared a beautiful Blanquette de Veau, but it was alright. John's health was the most important thing. They rescheduled for the next night, if John felt any better.

John took a bath, had dinner and went to lie down. Mary sat in the living room and watched television. Around nine there was a knock at the door. John, awake in the bedroom, unable to fall asleep, groaned. Mary, already in her nightgown, went to the bedroom to get her robe. John suggested they not open the door. At that time it had to be something annoying. He would have to get out of bed. Let them knock. Mary agreed. She did not open the door.

Half an hour later, the phone rang, waking John. Mary answered. It was Louise wanting to know what had happened.

- What? - asked Mary.
- We were there a second ago, we knocked and knocked but no one answered.
- You were here?
- To check on John. Peter said that he had been feeling the same symptoms for a few days and wanted to give him some tips. What happened?
- You're not gonna believe this - said Mary, thinking quickly. - John took a turn for the worse. I tried calling a doctor but couldn't get a hold of anyone. So we went to the hospital.
- What? So it's serious.
- The fever got worse. He started feeling pains all over his body.
- Red spots on my face - suggested John, who was now by the phone, apprehensive.
- His face was covered with red spots.
- Oh my God! Has he had chicken pocks, measles, those things?
- Yes. The doctor said he had never seen anything like it.
- How is he now?
- Better. The doctors gave him something. He is in bed.
- We are coming right over.
- Wait!

But Louise had already hung up. John and Mary looked at each other. What now? They couldn't have Peter and Louise over. How would they explain the disappearance of the red spots?

- We can say the medicine the doctor gave me worked miraculously. That I'm better. That we could even go out and get something to eat - said John, with remorse.
- They won't buy that. I think they're already suspicious. That's why they're coming over. Louise didn't believe a single word I said.

They decided to turn off all the lights in the apartment and put a note on the door. John dictated to Mary.

- Write this: "John took a turn for the worse. The doctor thought we should bring him in. Will call from the hospital."
- They might go to the hospital after us.
- They won't know which hospital.
- They will call every one. I know it. Louise would never forgive a missed Blanquette de Veau.
- Then write this: "John took a turn for the worse. The doctor thought we should bring him in to his private clinic. The phone number is 236-6688."
- But that's the phone number to your office.
- Exactly. We'll go there and wait for their call.
- But by the time we get to your office...
- We have to go!

They left the note stuck on the door. They pressed the elevator button. It was already on the way up. It was them!
- The stairs, hurry!
Peter's car was blocking the parking lot exit. They couldn't use their car. It took them a while to catch a cab. When they got to the office, after spending most of the time explaining to the security guard why they had to go in the office in the middle of the night, the phone was ringing. Mary pinched her nose to disguise her voice and answered:
- Fairmount Clinic.

"Fairmount?!" John fell into an armchair, exasperated.

- One moment, please - said Mary.

She covered the mouthpiece with her shoulder and said that it was Louise. The nerve! The things we do to keep a friendship. And to not look like a liar. Mary got back on the phone.

- The patient is in room 17, but is not receiving any visitors. Miss? One moment please.

Mary covered the mouthpiece again.

- She wants to talk to me.

She answered in her normal voice.
- Hello, Louise? Yeah. We're here. No one knows what it is. The red spots are all over his body now and his nails are turning blue. What? No, Louise, there is no need for you to come down here.
- Say it's contagious - whispered John, who had laid his head back and was trying to fall asleep.
- It's contagious. I can't even go near him. Actually, they are evacuating the whole clinic and putting barriers around the block. They suspect its an african virus that...

0 comments Saturday, February 14, 2009

With time, the couple developed a code to communicate from afar in social situations. When he rubbed his nose it meant "let's leave". When she tugged her left earlobe it meant "be careful," usually his cue to change the subject of conversation. Pulling at her right earlobe meant "stop drinking". If he then spun his wedding ring around his finger it meant "don't be a pain". If she then proceeded to scratch her chin, it was "you're gonna pay".
That night, there was some confusion over the signals. Later on, at home, she yelled: "Didn't you see me practically rip my left ear off?!" He was supposed to have changed the subject, but he had been drinking and confused the left ear with the right and thought the message concerned his drinking. Thus, while spinning his ring around his finger, he continued to tell the story he had heard, laughing. The one with the broom.
It happened during Carnaval. The woman came back from the beach early, in the middle of the night, and walked into her husband as he left the house, in a sarong. If he had not been wearing a sarong, he would have made up a story to justify the fact that he was leaving the house in the middle of the night. A sudden craving for a pastel, a sick friend, anything. The sarong made any excuse inviable. You can't explain a sarong, you can't deny it. The sarong is the limit of tolerance and civilized dialogue. And, seeing as dialogue was an impossibility, the wife got physical. She went inside to grab the broom. And ran her husband into the house while swinging at him with a broom. With a broom!
- Didn't you know that that story you told happened to them? With the couple that owns the house! the woman was now yelling. You moron!
- How was I supposed to know? I didn't get any names when I heard the story.
- And I was pulling on my ear like an idiot!

Later, in bed, he rationalized:
- They had it coming.
- What?
- She did. You don't hit a man with a broom.
- Oh yeah? And the sarong?
- Doesn't matter. Nothing excuses the broom.
- I don't know...
- She could hit him. But not with a broom.
Irate, as if establishing a dogma:
- Not with a broom!

So the woman said that the worst was over, the damage was done, what they had to do was go over the code, so that that kind of thing didn't happen again.

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- No, Hun. Stop.
- Baby...
- Don't insist.
- And why not?
- Just don't.
- You don't love me.
- Don't be stupid. I do. I just think we need to take it slow. Give time time.
- Give time ti... But the world is ending!
- Don't be dramatic. Just because I don't want to doesn't mean the world is ending.
- But the world really is ending! Don't you read the papers? It's coming to an end. There is no time for antyhing.
- Don't exaggerate.
- Exaggerate?! We have to enjoy life now. Today. Do everything, try everything...
- Stop, I told you.
- Listen, what about the comet?
- What about the comet?
- The comet is a sign. You think the comet's out there by chance? It's a sign. The end is near. The end could very well be tomorrow!
- Let go. I'll leave.
- Ok. Just tell me one thing. What about the crisis?
- Which one?
- Exactly, which one? Everything is in crisis. There's not enough paper, meat..
- Tin.
- Tin, vegetable oil, gasoline, construction material. You know how we'll end up?
- Now you're mad.
- You know how we'll end up? Digging for roots. Yes. You and me fighting over a root, over chives. Water, there'll be no water, it'll all be contaminated. And I'm being optimistic, because...
- Don't get worked up, Hun.
- Because there could be another war at any moment! Then...
- Honey...
- And you wanna give time some time. That's rich. Before the end of the year we'll be fighting over sewer rats. Yup. And whoever wins has to eat it raw. There'll be no more wood to burn. And it will be like that for everyone.
- Come here. Calm down, sit. Sit back.
- Give time time. It has to be now. Quick. Enjoy while we can.
- You're right. I'm convinced.
- Sewer rats, you hear? And no salt, there'll be no salt either. Wait, you're convinced?
- You convinced me. Now I want to. You're right, we have to enjoy life while we can, before the crisis takes over. Come on.
- Hold on a second.
- Come on. Weren't you dying to?
- I was, but now I'm a little depressed.